***** Time Out
**** Evening Standard
**** LBC
**** MusicOMH
“When Midnight Strikes is rancorously diverting...”
Robert Shore, Time Out
CRITIC’S CHOICE ****
“One of the many strengths of this sophisticated new show from the increasingly impressive pairing of Charles Miller and Kevin Hammonds is that the whole thing wouldn’t collapse even if the songs were removed, so well drawn are the characters… ”
Fiona Mountford, Evening Standard ****
"Literate, witty songs that inform and illuminate character attached to a book that creates believable situations and conflict."
Mark Shenton, Sunday Express
CRITIC’S CHOICE
“We need to cherish composers and writers like Charles Miller and Kevin Hammonds, who dare to strike up a new note in musical theatre when everyone else in show biz seems to be in the thrall of juke box compilations, revivals or high-tech blockbusters.”
Roger Foss, LBC ****
“Composer Charles Miller and lyricist Kevin Hammonds have created an original and accessible story, with a selection of lively numbers and romantic ballads that show much promise for this relatively new writing team…
It’s original, entertaining, even exciting and hopefully heralds the dawn of a successful collaborative team.”
Paul Vale, The Stage
“When Hammonds' intelligent and savvy lyrics are matched with Miller's melodic score, the result is a collection of terrific show-stopping numbers, and Sondheim fans will spot the occasional homage to the master… In When Midnight Strikes London-based Charles Miller and New York-based Kevin Hammonds have borrowed the baton from the likes of Sondheim and created a rare thing - a witty and entertaining piece of musical theatre that is also a treat for the brain. It's enough to restore one's faith in the genre!”
The British Theatre Guide
“Kevin Hammonds' Book is generally witty and engaging and at times quite moving, while his delicately constructed lyrics are perfectly adorned by Charles Miller's highly melodic score. The songs not only work perfectly within the piece, advancing the plot and developing character but also stand out in their own right, leaving the listener wanting to hear them again… A genuinely classy, fresh, articulate musical with a score that leaves you wanting more.”
BroadwayWorld.com
“Brimful of fresh songs, it gives a remarkably accurate sense of the brittle gaiety of a New Year party, with all the tensions so often seething behind lipsticked smiles… It is the depth of character awarded each guest that gives the musical genuine warmth… Miller and Hammonds manage the tricksy feat of threading the music carefully through the play, so that characters appear to break into song naturally, as if we were able to hear their thoughts… there are enough truly memorable songs to occupy the journey home with humming. The dialogue has the snap and crackle of a good sitcom… That some of the third-hand nonsense currently hawking its wares in the West End has audiences of thousands, and that this production sits atop a bar in Earl’s Court, is genuinely infuriating. I advise you to go and do something about it.”
Sarah Perry, MusicOMH.com
“It’s a sort of urban song-cycle linked with sassy lines and situations and it is by no means an insignificant contribution to the new-musical scene… Strong women reacting against weak men in a transatlantic musical ‘comedy’: how could the West End not want it?”
Michael Darvell, The Classical Source
“Catch When Midnight Strikes and your faith in musicals will be renewed… one of a stable of works Londoner Charles Miller and New Yorker Kevin Hammonds have co-written, I think its time we saw more of them.”
Katherine Hayes, Extra!Extra!
“A transfer-ready achievement to be proud of: this is a neat, sweet product, perfectly plausible for a run at a small West End venue.”
Adam Sheldon, Rogues & Vagabonds
“It is a new musical and a new musical not derived as a spin-off from a book or film..If you (like me) have bemoaned the lack of original ideas for musicals, then you’d better go along to see it. There is plenty to enjoy.”
Richard Woulfe, UK Theatre Net
"When Midnight Strikes is a shining example of that all too rare breed - a brand new British musical by a composer whose name is not Lloyd Webber - crammed with original jazzy Latino inspired songs, which are paired with dialogue that positively fizzes... Tango beats and plaintive multi-hued jazz harmonies infuse the whole with a zest for life… Super-slick direction, paced at just the right tempo and length.”
Julia Hickman, Theatreworld Internet Magazine
